Decolonize classical music!
Creative Economy Research Frontiers Seminar Series – Creative Work and Gender: Barriers and Activism
Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy
Curating Expertise Museum Survey
Emotionally Demanding Research in Lockdown
Children who are well informed are less worried – A study in 42 countries on “Children, Media, and COVID-19”
“Social Enterprises, Social Innovation and the Creative Economy” – Special issue of the Social Enterprise Journal
CREATIVE INDUSTRIES RESEARCH FRONTIERS: SEMINAR SERIES – now online
Creative Higher Education and the impact of Covid-19
Facebook as Focus Group Tool
Lockdown Fashion: An exploration of dressing at home in 2020
Dancing in isolation
COVID-19, Society & the Elderly – some ugly truths
Gigabitesback – CMCI community – sharing resilience
Gigabitesback – CMCI community – sharing resilience
The Birth of the Creative Industries Revisited
Shaping digital methodologies and ethics at Humboldt University’s MeDiA Lab
East Asian Popular Culture as a Disruptor 2020 Symposium Report
Children’s TV and the BBC Licence Fee
The Lost Girl – practice as research
Practising Hope in the Netherlands
Understanding contemporary Chinese national identity formation through Taiwan
Curating expertise: Towards an Interdisciplinary Museums Studies Research Agenda at KCL
INAUGURAL LECTURE: This Thing Called Art – Nick Wilson, Professor of Culture & Creativity
TALK: Environmental Racism in the United States
The ‘Migration Crisis’ in Italy: a Crisis of Identity?
Response to Ofcom Consultation on BBC Children’s news and first-run UK originations and the BBC’s request to change its Operating Licence
Industry and Academia Meet in Edinburgh to Discuss AI-Driven Creativity
Chile: Doing research in times of social change
#KuñaJesareko: Instagram as a place for the female gaze
“Gogglebox” and Brexit
Climate Change, Feminism, Creativity & Memory – a CFP & an Exhibition
Understanding And Supporting Creative Economies In Africa Conference
China on the Move and the Children Left Behind
Reconceptualising the Public-Private Partnership in Cultural Policy: The Insights from the Historical Research of UK Film Policy
NEW BOOK: Screen Media for Arab and European Children
Future of Film Summit 2019
Radical Education by the Sea
Poetry Book Launch: Home on the Move
Cohen Returns to BFI Southbank For 2 Events on History of Musicals
Joanne Entwistle’s Instagram Style Mums in Brazil
Sixteen Sixty Six and All That
Interview with Harvey G. Cohen: music, academia… and life
The new activist museum agenda: an interview with Dr Red Chidgey
And Then There Were Three
Media education in the age of digital capitalism
The co-created museum: art institutions’ search for new roles and relevance
Intersemiotic Journeys between Practice and Theory
A Window into South Africa through Reality TV and Social Media
Researching Media, Gender, and Sexuality in East Asia
Museums in Arabia Conference: An Intercultural Dialogue through Museum Practice
Un-Governing the Neoliberal Subject: Humanities in the Service of Cultural Criticism
Trans-Disciplinary Fieldwork and Post-Fieldwork at CMCI
Lumos!
Queer Museology
CRAFT, SKILLS & MAKING: THE RESEARCH FRONTIER
The Ethics of Fashion
London Calling
Intersemiotic Journeys
The Second’s Out
Rolling the DISCE
Investigating Cosmic Wellness
Creative emerging economies: Fieldwork in Lagos
CMCI Emerging Voices Conference 2019
Immersive Promotional Media
The Feminist Research Reading Group
The Public Value of Creative Vocations
The Body: Fashion and Physique
Seventy Percent of Artists….
London: Gateway to Cinema and Media Studies
We Launch Our New Research Website
Launch of CMCI-Kings.org
Energy in Store: How can museums encourage more productive relationships with their communities?
Reflections on the Cultural Memory Group: Forgetting in the Digital Media Ecology
CMCI Emerging Voices 2019: “Beyond Disciplines”
About George Clooney
Beyond Disciplines
England In Australia
Book Award for Sarah Atkinson
“Black, Brown and Beige”.
Subcultural Innovation – New Report
Evidencing the role of Public Service Broadcasting
Diversity in the Creative and Cultural Industries
Tate Appoints CMCI Graduate as Youth Engagement Trustee
“My Leg is a Giant Stiletto Heel”
Funding for Collaborative PhD at CMCI: Apply now
CMCI Emerging Voices
Speaking about Feminism
A Window on Glassmaking
Modern Couples
Female Futures
New Year: New CMCI Publications!
Third Edition of Richard Howells’ Visual Culture
CMCI Student Wins £5,000 Scholarship
Outstanding Paper Award for Eva Cheuk-Yin Li
Fashion in China and Korea
CMCI DISCES with the Cultural and Creative Industries
Cruel Optimism
Museums in Arabia Conference
Fake?
Welcome New Visiting Scholar
On the Road and On the Air: A Vision for Women and Virtual Reality
It’s A Wrap
“For someone who doesn’t much like camping…”
McMillan on Nolan
CMCI Student Opens Art Gallery in Milan
Alien Beauty
“Achtung – Mind the Gap”
New Book from Leung Wing-Fai
Singapore Collaboration
Jo Entwistle in Chile
Knowing What Not to Know in Contemporary China
Paul Sweetman in Norway
Non-Stop Nick
Sixty Seconds with Anna Woodham
Symposium “Invisible Children: Children’s Media, Diversity, and Forced Migration”, 14 September 2018, King’s College London
Double Whammy
Live Cinema Summit 2018
Home on the Move Comes to London
Utopia Unlimited
Troubled Waters, Stormy Futures: heritage in times of accelerated climate change
Besides the Screen
Arthur’s Room
The Page 99 Test
Richard Howells and the Campaign for the Humanities
Home on the Move
Panis Angelicus
CMCI PhD Conference 2018
Moving Hearts: The Video
El Rey Del Mundo
His Name in Lights
Revolt into Style
Ordem e Progresso
What is Visual Culture –And Why Should We Care?
CMCI Hosts International Media Conference
ACE Award for Ricarda Vidal
Harvey G. Cohen’s US Tour
Museums and Participation
CMCI MA Student’s Research Featured in the Independent
Moving Hearts
Creating Exhibitions: From Ideas to Execution
Who’s In The Money?
The Book of Dust
Life in Death, Life After Death: The story of Taiwan’s LGBTQ pioneer
Generation Revolution
Sweetman, Subcultures, and Scandinavia
Home on the Move: London and The Hague
Children’s Screen Content in an Era of Forced Migration
