May 26, 2022May 26, 2022 cmcikings

Returning the Parthenon Marbles: A Conversation with Baroness Chakrabarti

May 26, 2021May 28, 2021 cmcikings

An Invitation to Translate

March 22, 2021March 18, 2021 cmcikings

Why Queer Fashion is important

March 11, 2021 cmcikings

Care and co-creation – CMCI students explore the civic role of arts

January 13, 2021February 5, 2021 cmcikings

Care Manifesto

July 24, 2020November 18, 2020 cmcikings

A PhD Overview in Three Acts: Cauldrons, Super Bowls and Export-grade Joy

July 24, 2020November 18, 2020 cmcikings

The Asian Cultural Policy Research Seminar Series

May 26, 2020November 18, 2020 cmcikings

Emotionally Demanding Research in Lockdown

April 25, 2020November 18, 2020 cmcikings

Facebook as Focus Group Tool

April 25, 2020November 18, 2020 cmcikings

Lockdown Fashion: An exploration of dressing at home in 2020

March 24, 2020November 18, 2020 cmcikings

East Asian Popular Culture as a Disruptor 2020 Symposium Report

February 16, 2020November 18, 2020 cmcikings

Practising Hope in the Netherlands

February 16, 2020November 18, 2020 cmcikings

Understanding contemporary Chinese national identity formation through Taiwan

January 20, 2020November 18, 2020 cmcikings

The ‘Migration Crisis’ in Italy: a Crisis of Identity?

December 16, 2019November 19, 2020 cmcikings

Chile: Doing research in times of social change

December 16, 2019November 19, 2020 cmcikings

#KuñaJesareko: Instagram as a place for the female gaze

July 24, 2019November 19, 2020 cmcikings

Intersemiotic Journeys between Practice and Theory

July 24, 2019November 19, 2020 cmcikings

A Window into South Africa through Reality TV and Social Media

July 24, 2019November 19, 2020 cmcikings

Researching Media, Gender, and Sexuality in East Asia

June 26, 2019November 19, 2020 cmcikings

The  Feminist Research Reading Group