April 26, 2022April 25, 2022 cmcikings

New report published highlighting possible futures for creative work after Covid-19

November 26, 2021November 18, 2022 cmcikings

What are cultural and creative ecosystems and how can they be studied? CMCI researchers provide a review of theories and methods, towards a new research agenda in international journal Cultural Trends

November 12, 2021November 25, 2021 cmcikings

AHRC Award for African Hub for Sustainable Creative Economies

October 28, 2021November 4, 2021 cmcikings

Who has the right to claim authorship when we talk about artisan production?

October 20, 2021November 4, 2021 cmcikings

Creative Work: Possible Futures After Covid-19 Workshop

August 1, 2021 cmcikings

The Covid-19 crisis and ‘critical juncture’ in cultural policy: a comparative analysis of cultural policy responses in South Korea, Japan and China

July 24, 2020November 18, 2020 cmcikings

A PhD Overview in Three Acts: Cauldrons, Super Bowls and Export-grade Joy

July 24, 2020November 18, 2020 cmcikings

The Asian Cultural Policy Research Seminar Series

June 22, 2020November 18, 2020 cmcikings

Creative Economy Research Frontiers Seminar Series – Creative Work and Gender: Barriers and Activism

May 22, 2020November 18, 2020 cmcikings

“Social Enterprises, Social Innovation and the Creative Economy” – Special issue of the Social Enterprise Journal

April 25, 2020November 18, 2020 cmcikings

Lockdown Fashion: An exploration of dressing at home in 2020

March 24, 2020November 18, 2020 cmcikings

The Birth of the Creative Industries Revisited

February 16, 2020November 18, 2020 cmcikings

Practising Hope in the Netherlands

December 16, 2019November 19, 2020 cmcikings

#KuñaJesareko: Instagram as a place for the female gaze